| |
The Seal Bay Festival — History |
The Seal Bay Festival of American Chamber Music is held
every two to three years and brings both renowned and
emerging composers together with widely acclaimed chamber
musicians in a mid-June festival lasting from ten days
to two weeks. In residence and working together in an
attractive island setting on the coast of Maine, the participants
prepare works by the resident composers, to be performed,
discussed and otherwise explored in concerts and workshops
on both the mainland and the islands.
The Seal Bay Festival was founded in December 1994 by
composers Daniel S. Godfrey and Andrew Waggoner, and pianist
Arlene Shrut. All three served as artistic co-directors
and were joined in that capacity in 1997 by composer/
cellist/conductor Paul Brantley. The first festival was
held in June of 1995. Due to construction at the residential
host site, along with various career changes and job relocations,
the festival was on hold in 2000 and 2002-03, during which
time the board of directors changed membership. The festival
returned in June 2004, with a new board, including John
Duffy (now residing in Maine), Steven Stucky and festival
co-founder Daniel S. Godfrey. It is currently held on
a biennial basis, with the next festival upcoming in June
2008.The Seal Bay Festival is incorporated under the laws
of the State of Maine and is a 501(c)(3) not-for-profit
organization.
In all but two festivals, the widely acclaimed Cassatt
String Quartet has served as the core ensemble, complemented
by a variety of established performers, both instrumental
and vocal. The Cassatt will be returning for the June
2010 festival, along with resident pianist Adrienne Kim,
who has been with the festival since 2001.
The festival’s goal is to foster a vital, mutually
stimulating relationship between gifted musical performers,
established living composers, and mid-coast school students,
visual artists, teachers of music and art, and concert
audiences. During early to mid-June, the festival convenes
a combination of performers and composers who are selected
for their commitment to the highest standards of artistic
achievement in the domain of contemporary American chamber
music. There is an effort to include both nationally visible
composers — Samuel Adler, Derek Bermel, Donald Crockett,
Sebastian Currier, Tina Davidson, John Duffy, Eleanor
Hovda, Libby Larsen, Shulamit Ran, Elliott Schwartz, Joan
Tower, Dan Welcher, and Yehudi Wyner are among those participating
to date — and younger, emerging talent. When possible,
a composer from the state of Maine is included on the
roster. Nationally established performers are also chosen,
musicians who have achieved critical acclaim and are known
for their rigorous work ethic and high-energy commitment
in approaching new work.
Every festival is based on the idyllic Coombs Neck Trust
Property on the island of Vinalhaven, Maine; activities
take place on both the mainland and islands of the Penobscot
Bay area, more recently extending as far south and west
as Ogunquit. Those activities include intensive rehearsals,
three to four concerts, a shop-talk session between festival
musicians and area visual artists, a live group interview/performance
on Maine Public Radio when scheduling permits, and a workshop
with local school-age children. At all concerts and other
events, the composers are present and introduce their
own works to the public. Two to three of the concerts
take place on the mainland, and an additional concert
takes place either on Vinalhaven or North Haven Island,
where an improvisation prepared by children from the Vinalhaven
and North Haven schools is part of the program.
In past years, the Seal Bay Festival has received support
from varying combinations of the following sources: the
National Endowment for the Arts, the Davis Family Foundation
of Maine, the Alice M. Ditson Fund of Columbia University,
the Aaron Copland Fund for Music, the Glenmede Trust Company,
the New England Foundation for the Arts/Meet the Composer
program, the Maine Humanities Council, the BMI Foundation,
the Berta Bornstein Residual Trust, the Golden Rule Foundation,
the Maine Community Foundation, the New York Community
Foundation, and the Virgil Thomson Foundation. The festival
also enjoys the support of a variety of private contributors
and businesses in the mid-coast region of Maine.
The tenth Seal Bay Festival will be held from June 5 through
June 18, 2011. Resident composers will include Gabriela
Lena Frank (San Francisco, CA), Laura Kaminsky (New York,
NY), Anna Weesner (Philadelphia, PA), and Samuel Zyman
(New York, NY). Resident performers will include the Cassatt
String Quartet and pianist Adrienne Kim.
|
REPERTOIRE PLANNED
FOR JUNE 2011 (Support Year)
(Performed by the Cassatt String Quartet and Adrienne
Kim, piano) |
| String Quartet No. 3 |
Gabriela Lena Frank |
| New work for string quartet |
Laura Kaminsky |
Lift High, Reckon; Fly Low, Come Close
For violin, cello and piano |
Anna
Weesner |
| New work for string quartet and piano
|
Samuel Zyman |
| |
|
Past Seasons
|
REPERTOIRE FOR JUNE
2008
(Performed by the Cassatt String Quartet and Adrienne
Kim, piano) |
| Quiet Time, for
string quartet (first public performances) |
Sebastian Currier |
| Quartet: She Wrote* |
Libby Larsen |
| Subito, for piano trio |
Sally Lamb |
| Three Miniatures, for solo
piano |
Kay Kyurim Rhie |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE
2006
(Performed by the Cassatt String Quartet, Adrienne
Kim, piano,
and Derek Bermel, clarinet) |
| Thracian Sketches
for solo clarinet |
Derek Bermel |
| Ricordanza-Speranza for string
quartet and piano |
Daniel S. Godfrey |
| Elijah’s Chariot for
string quartet and electronic playback |
Judith Shatin |
| Shimmer for string quartet
and piano |
Nicolas Scherzinger |
| Piano Quartet for string
trio and piano |
Steven Stucky |
| |
|
REPERTOIRE FOR JUNE
2004 |
| Array for string
quartet |
Donald Crockett |
| Soliloquy for violin, cello
and piano |
Shulamit Ran |
Inscriptions for solo violin
|
Shulamit Ran |
| Dream Music with Variations
for violin, viola, cello and piano |
Elliott Schwartz |
| Sonata for violin and piano* |
Vineet Shende |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE
2001 |
| Cello Sonata for cello
and piano |
Fred Cohen |
| The Delight of Angels for
string quartet |
Tina Davidson |
Departing Flights for violin,
cello and piano
|
Don Freund |
| Nell’ombra, nella luce
for string quartet |
Steven Stucky |
| Langue et parole for violin
and piano (World Premiere) |
Andrew Waggoner |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE
1999 |
| Aeolus, God of the
Winds, for clarinet, violin, cello and piano |
Samuel Adler |
| Impromptu for clarinet, cello and
piano |
Daniel S. Godfrey |
Trio for violin, cello and piano
|
David Liptak |
| Two improvisations for violin and
cello |
Mandala Ensemble |
| Trio for violin, cello and piano three
hands* |
Carolyn Yarnell |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE
1998 |
| Rilke Lieder
for soprano and piano* |
Paul Brantley |
| Scenes from Blackwater (libretto
by Joyce Carol Oates) for soprano, baritone and piano |
John Duffy |
Legacy for string quartet
|
Andrew Waggoner |
| Sudden, Unbidden for string
quartet* |
Anna Weesner |
| Dances of Atonement for violin
and piano |
Yehudi Wyner |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE
1997
(Performed by the Cassatt String Quartet and Emma
Tahmiziàn, piano) |
| Suite for Piano |
Gia Camolli |
| It is my Heart Singing for
string quartet and piano* |
Tina Davidson |
String Quartet No. 2
|
Daniel S. Godfrey |
| Night Fields for string quartet |
Joan Tower |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE 1996
(Performed by the Cassatt String Quartet
and Arlene Shrut, piano)
|
| The Eternal Return
for string quartet and piano* |
Paul Brantley |
| Lemniscates for string quartet |
Eleanor Hovda |
Story Sonata for viola and
piano
|
Andrew Waggoner |
| Harbor Music for string quartet |
Dan Welcher |
(*World
Premiere) |
|
REPERTOIRE FOR JUNE
1995
(Performed by Deborah Chodacki, clarinet, Anna Cholakian,
cello, and Arlene Shrut, piano) |
|
Arietta
for cello and piano |
Daniel S. Godfrey |
|
Four Maine Haiku
for piano solo |
Elliott Schwartz |
|
Souvenirs
for clarinet and piano
|
Elliott Schwartz |
|
Très
lent for cello and piano |
Joan Tower |
|
Wings for
clarinet solo |
Joan Tower: |
|
Calling In...
for violin and piano* |
Andrew Waggoner |
|
The Big White
Medicine Wheel for clarinet, cello and piano* |
Andrew Waggoner |
(*World
Premiere) |
|
| |
| |
| |
|